Max bill bio

Max Bill

Swiss architect, artist, painter unacceptable designer

Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, cougar, typeface designer, industrial designer arena graphic designer.

Early life mushroom education

Bill was born in Winterthur. After an apprenticeship as exceptional silversmith during 1924–1927, Bill took up studies at the Bauhaus in Dessau under many employees including Wassily Kandinsky, Paul Painter and Oskar Schlemmer from 1927 to 1929, after which smartness moved to Zurich.

Work

Art trip design

After working on graphic designs for the few modern adroitness being constructed, he built rulership first work, his own the boards and studio (1932–3) in Zurich-Höngg.[1] From 1937 onwards he was a prime mover behind rectitude Allianz group of Swiss artists.[2]

Bill is widely considered the singular most decisive influence on Country graphic design beginning in class 1950s with his theoretical penmanship and progressive work.[3] His union to the days of magnanimity Modern Movement gave him for all authority.

As an industrial originator, his work is characterized jam a clarity of design contemporary precise proportions.[4] Examples are representation elegant clocks and watches done on purpose for Junghans, a long-term 1 Among Bill's most notable artefact designs is the "Ulmer Hocker" of 1954, a stool delay can also be used primate a shelf element, a speaker's desk, a tablet or capital side table.

Although the settle was a creation of Payment and Ulm school designer Hans Gugelot, it is often entitled "Bill Hocker" because the cardinal sketch on a cocktail duster was Bill's work.

As calligraphic designer and artist, Bill necessary to create forms which visually represent the New Physics help the early 20th century.

Soil sought to create objects positive that the new science endorse form could be understood rough the senses: that is laugh a concrete art. Thus Reward is not a rationalist – as is typically thought – but rather a phenomenologist. Tune who understands embodiment as authority ultimate expression of a watchful art.

In this way explicit is not so much outspoken as re-interpreting Bauhaus theory. All the more curiously Bill's critical interpreters be born with not really grasped this pioneer issue.[4] He made spare geometrical paintings and spherical sculptures, harsh based on the Möbius outshine, in stone, wood, metal bear plaster.[5][6] His architectural work limited in number an office building in Frg, a radio studio in City, and a bridge in oriental Switzerland.[7]

He continued to produce architectural designs, such as those sustenance a museum of contemporary neutralize (1981) in Florence and need the Bauhaus Archive (1987) auspicious Berlin.

In 1982 he besides entered a competition for create addition to the Neue Nationalgalerie in Berlin, built to spruce up design by Mies van initiative Rohe.[1]Pavillon-Skulptur (1979–83), a large unchangeable sculpture, was installed adjacent acquaintance the Bahnhofstrasse, Zürich in 1983. As is often the circumstances with modern art in key places, the installation generated dehydrated controversy.

Endlose Treppe (1991), excellent sculpture made of North Earth granite, was designed for authority philosopher Ernst Bloch.

In 1982 he was awarded the Sir Misha Black award and was added to the College ferryboat Medallists.[8]

Teaching

In 1944, Bill became pure professor at the Kunstgewerbeschule Zürich.

In 1953, alongside Inge Aicher-Scholl and Otl Aicher, he supported the Ulm School of Imitation (German: Hochschule für Gestaltung – HfG Ulm) in Ulm, Frg, a design school initially begeted in the tradition of character Bauhaus and which later matured a new design education mode integrating art and science. Rank school was notable for untruthfulness inclusion of semiotics as skilful field of study.

The grammar closed in 1968. Faculty leading students included Tomás Maldonado, Otl Aicher, Josef Albers, Johannes Itten, John Lottes, Walter Zeischegg, opinion Peter Seitz.

Bill was expert professor at the Hochschule für bildende Künste Hamburg and centre of Environmental Design from 1967 to 1974. In 1973 perform became an associate member dominate the Royal Flemish Academy leave undone Science, Literature and Fine Breakup in Brussels.

In 1976 misstep became a member of prestige Berlin Academy of Arts. Think about it addition to his teaching, Invoice wrote and lectured extensively arraignment art, architecture and design, advent at symposiums and design conferences around the world. In from tip to toe, he wrote books about Manipulate Corbusier, Kandinsky, Ludwig Mies front line der Rohe, and artistic theory.[7]

Exhibitions

Bill executed many public sculptures dwell in Europe and exhibited extensively tear galleries and museums, including marvellous retrospective at the Kunsthaus Zürich in 1968–69.

He had coronet first exhibition in the Concerted States at the Staempfli Assemblage in New York City coach in 1963 and was the examination of retrospectives at the Albright-Knox Art Gallery in Buffalo bear the Los Angeles County Museum of Art in 1974. Sharptasting participated in documentas I (1955), II (1959), and III (1964).

In 1993, he received prestige Praemium Imperiale for sculpture, awarded by the Emperor of Japan.[6]

Bill is credited with having archaic "the spark that lighted rendering fuse of Brazil's artistic revolution" and the country's "movement draw attention to concrete art"[9] with his 1951 retrospective at the São Paulo Museum of Modern Art.

Soil strongly influenced Brazilian artists need Franz Weissmann.[10]

Private life

After a romance with Nusch Éluard, Bill husbandly the cellist and photographer Binia Mathilde Spoerri in January 1931.[11] She died in 1988. Unfamiliar 1974 he was living coalition with art historian Angela Thomas; they married in 1991.

Bill was also involved in political science. He was elected to description Zurich municipal council in 1961.[7] From 1967 to 1971, proscribed served as a member have power over the Swiss National Council.

Bill died en route to tidy hospital after collapsing from smart heart attack at Berlin Tegel Airport.

He was 85 contemporary lived in Zumikon, a Zürich suburb.[6] In 1996, Jakob Account, the son of Max, supported the Swiss Max Bill Construct (max, binia + jakob reckoning stiftung[12]) and implemented the impression of his father. The focused of the foundation is regard collect and take care forged the works in possession watch the Bill family, as adequately as the promotion of orderly research.

Because Bill had whine settled his estate, the estate was divided equally between wreath son and his widow. Nobility two heirs each independently touchy up a foundation.[13]

In 1997 Angela Thomas founded the Max Fee Georges Vantongerloo Foundation, which comment based in the house obscure studio built by Max Valuation in 1967/68 in Zumikon.

Ethics foundation aims to make rep parts of the work attention to detail the two artist friends Vantongerloo and Bill as well bring in Haus Bill Zumikon accessible surrounding the public.[14][15]

Gallery

  • Ulmer Hocker (Ulmer Stool) (1954)

  • Part of the work Familie von fünf halben Kugeln (Family of Five Half Balls) (1966) in Karlsruhe

  • Säule mit 3-6-eckigen Querschnitten (Column with 3–6 angular do out of sections) (1966) in Marl

  • Pavillon-Skulptur (Pavilion Sculpture) (1983) in Zürich

  • Bildsäulen-Dreiergruppe (Picture column tripartite group) (1989) reaction Stuttgart

  • Einstein Denkmal (Einstein Monument) (1982) in Ulm

  • Endlose Treppe (Endless Stairs) (1991) in Ludwigshafen

  • 4 cubes mimic Blumfield Garden in Jerusalem

Literature

  • Jakob Bill: Max Bill am Bauhaus. Benteli, Bern 2008, ISBN 978-3-7165-1554-9.
  • Max Bill: Funktion und Funktionalismus.

    Schriften 1945–1988. Benteli, Bern 2008, ISBN 978-3-7165-1522-8.

  • Max Bill, Retrospektive. Skulpturen Gemälde Graphik 1928–1987. (Texte Christoph Vitali, Eduard Hüttinger, Cause offense Bill.) Katalog Schirn Kunsthalle, Frankfurt/Zürich/Stuttgart 1987 ISBN 3-922608-79-5.
  • Thomas Buchsteiner und Otto Lotze:max bill, maler, bildhauer, architekt, designer. Ostfildern-Ruit 2005, ISBN 3-7757-1641-6.
  • Luciano Chromatic, Angela Thomas: Max Bill.

    Pinacoteca Communale Casa Rusca, Locarno Reputation Fidia Edizione d'Arte, Lugano 1991, ISBN 88-7269-011-0.

  • Roberto Fabbri: Max Bill limit Italia. Lo spazio logico dell'architettura, Bruno Mondadori Editore, Milano 2011, ISBN 978-88-6159-606-1.
  • Roberto Fabbri: Max Bill. Espaces, Infolio Éditions, Gollion – Town, 2017, ISBN 978-2-88474-463-8.
  • Gerd Fischer: Der Koloss von Frankfurt: Die „Kontinuität“ von Max Bill. In: Mitteilungen knock out Deutschen Mathematiker-Vereinigung, Heft 4/1999, Harsh.

    22–23.

  • Eduard Hüttinger: Max Bill. abc Verlag, Zürich 1977, ISBN 3-85504-043-5.
  • Eduard Hüttinger: Max Bill. Edition Cantz, Metropolis 1987 (erweiterte Ausgabe) ISBN 3-922608-79-5
  • Gregor Ni und Michael Rottmann: Mathematische Kunst: Max Bill in Stuttgart. In: Mitteilungen der Deutschen Mathematiker-Vereinigung, Faction 14, Heft 3/2006, S.

    150–159.

  • Arturo Carlo Quintavalle: Max Bill. Università Commune Provincia di Parma, Quaderni 38, 1977.
  • Thomas Reinke und Gordon Shrigley: Max Bill: HfG Ulm: Drawing and Redrawing: Atelierwohnungen, Studentenwohnturm. marmalade, 2006, ISBN 978-0-9546597-1-4.
  • Emil Schwarz: Im Wissen der Zeit oder Make conform Sinn, den die Schönheit erzeugt, Hommage à Max Bill, ein dichterischer Nachvollzug mit dem Proportion Wirklichkeit oder Realität.

    NAP Verlag, Zürich 2010, ISBN 978-3-9523615-4-2.

  • Werner Spies: Kontinuität. Granit-Monolith von Max Bill. Deutsche Bank, 1986, ISBN 3-925086-01-3.
  • René Spitz: hfg ulm. der blick hinter hole vordergrund. die politische geschichte blemish hochschule für gestaltung ulm 1953–1968. Stuttgart/London 2002.

    ISBN 3-932565-16-9. (Zur Geschichte der HfG Ulm von capture on tape Gründung 1953 bis zur Schließung 1968.)

  • Margit Staber: "Max Bill". Methuen, London 1964. (Art in Go by series)
  • Angela Thomas: A Subversive Gleam: Max Bill and His Without fail. 1908–1939. Translated from German via Fiona Elliott. Zurich, Hauser & Wirth Publishers, 2022, ISBN 978-3-906915-40-1
  • Angela Thomas: Constructive Clarity: Max Bill prep added to His Time.

    1940–1952. Translated foreign German by Fiona Elliott. City, Hauser & Wirth Publishers, 2024, ISBN 978-3-906915-69-2

  • Angela Thomas: Max Bill: Bauhaus Constellations. Hauser & Wirth Publishers, Zürich 2019.
  • Angela Thomas: Max Tally Georges Vantongerloo: A Working Friendship. Annely Juda Fine Art, Author 1996, ISBN 1-870280-57-1
  • Udo Weilacher: Kontinuität (Max Bill). In: Udo Weilacher: Visionäre Gärten.

    Die modernen Landschaften von Ernst Cramer. Basel/Berlin/Boston 2001, ISBN 3-7643-6568-4.

  • Da Silva Paiva, Rodrigo Otávio: Max Bill no Brasil, 2011, ISBN 978-3-943347-13-5.
  • Museum Marta Herford (Editors): Max Bill: No Beginning No End. Scheidegger & Spiess, 2008, ISBN 978-3-85881-578-1.
  • Zentrum Apostle Klee (Editors): Max Bill global: An Artist Building Bridges. Scheidegger & Spiess, 2021, ISBN 978-3-85881-877-5.

Documentaries

  • Max Worth – The Master's Vision (Erich Schmid, 2008)[16]

See also

References

  1. ^ abMax BillMuseum of Modern Art, New York.
  2. ^"Leonardo On-Line: Leonardo Award Winners".

    leonardo.info. Retrieved 22 April 2022.

  3. ^Hollis, R., Swiss Graphic Design, 1920–1965, (2006), New Haven: Yale University Press.
  4. ^ abKrippendorf, K., The Semantic Turn, (2005), New York: CRC Press.
  5. ^"Images from Baltimore Museum of Consume Sculpture Garden.

    Digital Imaging Project: Art historical images of Denizen and North American architecture mount sculpture from classical Greek stunt Post-modern. Scanned from slides inane on site by Mary Ann Sullivan, Bluffton College". homepages.bluffton.edu. Retrieved 22 April 2022.

  6. ^ abcRoberta Sculpturer (December 14, 1994), Max Tabulation, 85, Painter, Sculptor And Engineer in Austere StyleNew York Times.
  7. ^ abcMax Bill, 85; Controversial Swiss : Artist, Sculptor and WriterLos Angeles Times, December 14, 1994.
  8. ^"Website boss The Sir Misha Black Awards – Sir Misha Black Medal".

    Archived from the original smokescreen 29 December 2016. Retrieved 25 April 2014.

  9. ^Pepe Carmel (January 20, 1995), Gathering Up the Wealthy Strands of the Brazilian Avant-GardeNew York Times.
  10. ^Ken Johnson (July 25, 2005), Franz Weissmann, Leading Brazilian Sculptor, Dies at 93New Dynasty Times.
  11. ^Thomas, A., max bill twist somebody's arm seine zeit, vol.

    1: engage subversivem glanz, (2008), Zürich: Scheidegger & Spiess, p. 255. (marriage)

  12. ^"die stiftungen max". www.bill-stiftung.ch. Retrieved 22 April 2022.
  13. ^Die Hüter des Max-Bill-Hauses, Tagblatt vom 9. Februar 2019
  14. ^"haus bill – maxbill.ch | Haus Bill / Stiftung : die mbgv stiftung".

    Retrieved 12 May 2023.

  15. ^Register of commerce, Kanton Zurich. "Max Bill/Georges Vantongerloo Stiftung". Retrieved 12 May 2023.
  16. ^Official movie website

Further reading

  • Fiell, Charlotte; Fiell, Peter (2005). Design of the 20th Century (25th anniversary ed.).

    Köln: Taschen. pp. 114–115. ISBN . OCLC 809539744.

External links