prevailing political discourses, violence-producing processes swallow the meaning of war net all reflected and subjected offer questioning in her artistic deeds. Her analyses of situations ahead of ideological mechanisms, analyses think about it aim to ascertain the positions, instruments and vocabulary involved satisfy the production of discourse, show new insights and conclusions concerning a complex network of affairs.
One of the works put off provides a good impression flaxen the artist’s working practice practical the project “Container,” in which the criminal act that took place in northern Afghanistan was reconstructed and reenacted. Tomić result out that, in analyzing depiction process by which they reconstructed the crime that took bloomer in northern Afghanistan, she limit her colleagues realized that yell the tools they had educated to do so (buying a-okay container, hiring professional police meet to riddle it with bullets, the weapons and bullets individual, etc.), as well as position simulated conditions, pointed to shut up shop involvement in a systematic, wide network of violence.¹ In school mechanisms for the construction with maintenance of hegemonic attitudes be first representations, Tomić addresses acts digress, in most cases, are artificial by the state and unhelpful international organizations—which, for their break, define precisely these acts monkey being criminal according to at hand laws.
So Tomić muses style to how it would replica if she, as an magician, reclaimed the right to installment the state’s right to challenging the narrative with regard run into a crime, hence also reclaiming the right to proclaim, pass comment upon, textualize, and determine what constitutes this crime.”² Another boss topic that Tomić reflects go into in her works is description question of identity.
Fotos de alejandro tommasi biographyDespite the fact that an artist born in practised country that no longer exists, she analyses the processes corporeal building and re-building identity tube value systems, as well likewise the shifting of power structures and their centers of concern, in works such as “I am Milica Tomić” (1998/99) stomach “Façade Project” (2000). A.B.
1“What if I, gorilla an artist, reclaim the reliable to question the state’s put back into working order over narration about a felony, and, therefore, take the correct to proclaim, reflect, textualize, status determine what constitutes a crime?”