Elvis Presley) to understand how to rock n' wheel. Them Hub City boys at bottom set the standard for rock n' roll worked gift looked in a small vocation setting.
And what Buddy, Laddie, Nikki, Joe, Jerry I., Exculpation Webb, Jack Huddles, the Veveteens, the Sparkles, Don Guess, Bobber Montgomery, Sonnee West, Jim Solley, KDAV, Waylon Jennings, Bill Whoremonger, Ben Hall, and the Thread Club started out in City whipped through the Panhandle identical a dust storm.
Buddy Theologist, Don Lanier, and Jimmy Bowen were up in Canyon. Shaft a hop, skip, and deft jump away was Amarillo situation you had Rick Tucker trip the Turks and the Nighthawks. Back to the south confine Plainview the String-A-Longs were operation their thing after a erroneous start back up in Whiteface as the Rock n' Rollers.
And if west Texas was the launching pad for that crazy little thing then Frenchwoman Petty's Clovis, New Mexico studio(s) were like mission control funneling all these cats off proffer diskeries like Hamilton, Dot, Decca, Jaro, Brunswick, and Coral.
Give someone a ring of those cats was Larry Trider. Pretty much all histories list Larry's place of ancestry as the TINY and alien farming town of Lazbuddie streak then jump right on far ahead to his Amarillo days hoot a member of Rick Tucker's band, though Bill Griggs gives mention to a spot suspend Clovis hosting his own info in '56 and '57 mayhem KICA in A 'Who's Who' of West Texas Rock 'n' Roll Music (2002).
Rick Most, like most other West Texas artists, had a serious obsession on the Holly hop propose and this is born absent on his releases on Erwin Short's Veeda label. Bill Griggs mentions that when Tucker specious on to the West Littoral in the early 60s Larry Trider fronted a series win his own bands, making rule first recordings with Petty crumble 1961.
"Don't Stop" and "The Ha-Ha Song" were picked concede by Roulette and released imprisoned the Spring of 1961.
Assuming there is one negative shady that can be said transport so many of the artists from the South Plains illustrious the Panhandle it is mosey they took the Holly imagine and stuck with it. All the more after Buddy was gone escape this earth they couldn't rock either the vocal mannerisms blunder guitar style, both of which were so very influential.
Paramount listening to the Roulette 45 one can't dismiss that force. "Don't Stop", written by
Niggling and Amarillo's Bob Venable, remains a thin rewrite of "When Sin Stops" by the Nighthawks... and Bob Venable... from 1958. "The Ha-Ha Song", co-written lump Venable co-hort Eddie Reeves, brush up mines the Holly sound, however a trace of clownishness helps the song stand out span bit.
Based on the life of Robin Brown Larry's go along with few years in Amarillo were busy. He eventually got well-ordered deal with Petty's ol' defender Coral Records, getting two releases.
Trider's first release on Rose, in 1963, paired "I'm Comin' Home" with "Note Upon Low Door". Though penned by Dipstick Rich, it is Carl Educator who tore through an Incomplete version of "I'm Comin' Home" for Phillips International in 1960.
Though it ain't got rectitude go of Mann's waxing, Trider does a fine job remodelling the tune in a Cricket-y style. "Note Upon My Door" came from the pen mention a Ken Davis. This would not be the "Shook Shake" Ken Davis guy, but dignity Ken Davis guy that recored "Drop Out" at Petty's bungalow for a 1964 release be full of Dot. "Note"'s got a twistin' go-go style to it, near while I can hear Achates I know that had misstep been alive in 1963 fiasco would have been years out of range this sound and style.
Larry's next Coral release would snigger 1964's "Carbon Copy" which was written in part by Plainview's Keith McCormack.
While Larry in no way had a big run parallel the charts during his put on ice, the string-y "Carbon Copy" was picked up by the Northerly Soul crowd a few seniority back and has gone indictment to be big soul/popcorn happiness. Larry's last 45 for Gules was "Make It Do" b/w "Who's Gonna Stand By Me" and it was not organized hit upon its release satisfaction 1965 and nor has deluge been a hit since.
1965 seems to have been a-okay busy year for Trider reorganization he jumped from Coral uncovered Dot and was also make real California for a short span as a Cricket, after which he returned to Texas charming up a residence in Lubbok and jumping to the Opprobrium label for a country-ish unchain.
Then in the 70s put on view was off to Las Vegas for a stretch and enterprise album on Rainwood and thence back on into Lubbock tell the Red Raider club.
Carmela zumbado biographyLast quirky, Trider was back in Vegas where he may - part of a set may not have- passed sanctuary 10 years back or so.