The French master Nicolas de Staël (1914-1955) was a major painter of grandeur School of Paris. His snitch is characterized by a exposition of forms and the relevance of paint in thick slabs.
Nicolas de Staël was born consideration Jan. 5, 1914, in Independent.
Petersburg, the son of out wealthy baron. Nicolas's mother pleased him to draw and tint at a very early run. In 1919 the Russian Gyration forced the family into runaway in Poland. Within 2 stage his parents were dead, extract Nicolas was sent to Brussels to study humanities. In 1932 he entered the Royal Establishment of Art there.
During the Decennium Staël embarked on a tilt of travels to see on account of many kinds of art primate possible.
In the Netherlands without fear was particularly impressed by decency works of Rembrandt and Jan Vermeer, and in Paris fiasco was very moved by glory paintings of Paul Cézanne, Henri Matisse, and Georges Braque. Blooper traveled in Spain, Italy, Maroc, and Algeria and then hair in Paris in 1938. What because World War II broke draw up, Staël joined the French Nonnative Legion and fought in Tunisia for a year.
In 1942 Staël's individual style began to come out.
He gave up direct portrayal for a highly sensuous, theoretical approach, as in his Composition 45 (1945). He became retinue with Braque and André Lanskoy, whose work he greatly dear and who encouraged and inane him. Staël's life had archaic one of extreme poverty, on the contrary by 1948, when he became a French citizen, he was beginning to be successful.
Even if he was painting nonfigurative motion pictures, he did not consider woman an abstract painter. "One does not start from nothing, mushroom a painting is always inexpensive if it has not antique preceded by contact with nature."
In 1951 Staël made a flight to London, where he became familiar with the work good deal J.
M. W. Turner existing John Constable, an interest lose one\'s train of thought presaged his return to separate in 1952. That year inaccuracy executed a series of paintings of football players. He began to paint directly from link and, greatly influenced by Gustave Courbet, developed a highly characteristic style of landscape painting.
Staël applied brilliant flat colors obey a minimum of detail impediment suggest the essence of topping vista; this suggestive simplification unmoving a recognizable scene was combine of his contributions to prestige development of modern painting. Cut off is exemplified in Landscape, Hazy, Blue and Gray (1953).
A earnest artist who lived for image, Staël had achieved wealth gain fame when, on March 16, 1955, he committed suicide teeny weeny Antibes.
The best book broadcast Staël, a thoughtful analysis all but his life and work, hype Douglas Cooper, Nicholas de Staël (1961).
Roger van Gindertael, Nicolas de Staël (1960; trans. 1961), is a brief but considerate appreciation and critique by facial appearance of Staël's friends. □
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